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My grandfather (like many others) was fond of the adage, "beggars can't be
choosers". His Name Is Alive's latest album is a clarion call. "Tonight's the night, tonight is
THE last night. No more nights after this." It's a party record!!! Peace in Detroit at long last!!!
I have always loved His Name Is Alive, but never more than today. "Last Night" is the new Grand Canyon,
a wide open space to project all of your happiness and frustation into. It's totally exhilirating,
and maddening. It'll make you feel bad about living in the big city.
Tom Waits once said that he hated recording because its permanence seemed maddening.
To this, Neil Young suggested that he record EVERYthing, then it would ALL be maddening,
and he could deal with it in due course. To this end, "Last Night" was recorded in a
basement, a bedroom, and at rehearsal. No engineers, producers, studios, studio budgets,
or electricity hindered the creative process. In fact, most of the record was actually
recorded before their last one was even released!!!! New sounds abound this time, marking the
transition of HNIA from self-contained group to ecumenical peace orchestra.
Saxophones, bells, congas, an electric pinecone, afrobeat, and bowed strings surround
(the strings are actually recycled from the newly recorded bonus tracks originally
intended for a never-to-be-released box set). It's maybe the saddest record i've ever heard,
but it's a party record!!! Track eight consists of the slowly intoned invitation
"Do you want come to my party?," several times but then its over before you know it.
"Teardrops" is equal to none. "I have special powers" speaks volumes about a vision
that no one dare write about. It's really beyond words. I feel like i'm in the Reprise
offices, Wilshire Blvd. circa 1972. i urge every last one of you reading this to consider
what could be: how this night is different than all others. the last night. a braille night,
a brown night, an old-timey town night. no more nights after this. this record is perfect.
- bread lyman, washington d.c. (the nations capitol)
its a party record - lovetta pippen
its basically a document of the bands rehearsals for the "someday my blues" tour - warn defever
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recorded in a basement, a bedroom, and at rehearsal july and september 2001.
lovetta pippen vocals
warn defever guitar, piano
kevin callaway drums, percussion
crispy bass
fred thomas bass 7,10
brett lyman electric piano 7,10
matt bauder tenor saxophone 9, 13
elliott bergman tenor, baritone saxophone 3, 9
strings by:
ida pearl violin
jacob danziger violin
zachary wallace upright bass
mastering by greg calbi at sterling sound
with help from daniel littleton.
design and art direction vaughan oliver at v23
photography dominic davies
released on 4ad/ beggars groop september 23 (novmeber 5 usa) 2002
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